For the Greatest Generation, the defining question may be, “Where were you when you heard about the attack on Pearl Harbor?” In my parents’ generation, the question is, “Where were you when President Kennedy was shot?” I had thought that my generation’s question would be, “Where were you when the space shuttle Challenger exploded?” But I was wrong. As it turns out, the question that has been on everyone’s mind has been, “Where were you on the morning of September 11, 2001?”
There are at least three different kinds of Psalms in our Bibles: psalms of praise, psalms of thanksgiving and psalms of lament. The first kind, the psalm of praise, is a song inviting others to praise the Lord for some specific reason: “Give thanks to the Lord, for he is good; his steadfast love endures forever.” The second kind of psalm, the psalm of thanksgiving, thanks the Lord for his help in some kind of trouble: “Even though I walk through the darkest valley, I will fear no evil, for you are with me.”
The twenty-second Psalm is a song of lament. Lament psalms are marked by some very specific characteristics. There is a first-person address to God, a petition to be heard and helped, a description of the trouble, an appeal to God’s better nature, a statement of trust in the Lord, and a vow of sacrifice or praise if and when God comes to the psalmist’s aid.
The reason Psalm 22 sticks in our minds and is probably the most excellent example of lament as far as Christians are concerned is that Jesus quoted it while hanging on the cross. “My God, my God, why have you forsaken me?” Why are you so far from helping me? Perhaps it was while on the cross, bleeding, dehydrated, and in gruesome agony, that Jesus felt the most separated from the God—felt the most human. O my God, I cry by day, but you do not answer; and by night, but find no rest.
Walter Brueggemann, the venerated Old Testament scholar and professor, describes lamentations like Psalm 22 as psalms of disorientation, because they show that the psalmist’s previous theological orientation has been disrupted by life circumstances, leading the psalmist to demand an explanation and rescue.
We know what it’s like to suffer. We, as a nation, have suffered greatly over the past ten years, largely as a result of the attack of September 11, 2001. And yet, it is but one example of how human existence is a constant struggle. The words of the psalm ring in our ears: God, where are you? Have you forgotten us? Why do you seem so far away? We have been taught—and we believe—that you are a good God… so where are you now? Where were you when we needed you most? The man in the poem Footprints, the man who had the dream, has to ask God, “Where were you when I needed you?” not because he didn’t believe in God’s goodness, but because he hadn’t felt it. In the poem, God’s response, which strikes me as trite and unhelpful, is “It was then that I carried you.”
“It was then that you carried me?” the man might have replied. “I sure didn’t feel carried.”
Part of the twenty-second psalm’s beauty—and part of its agony—is that it is so intimate. It doesn’t start out by saying, “O God, O God, why have you forsaken me?” It says, “My God, my God, why have you forsaken me?” This is a psalm written by someone who has a personal, intimate relationship with the Lord. This makes God’s absence even more shocking and inappropriate.
The psalmist speaks with a voice so much like our own, not just as a damaged, frightened American people, but as individuals too: My hands and feet have shriveled; I can count all my bones. All my bones are out of joint, my mouth is died up like a potsherd; you lay me in the dust of death. Deliver my soul from the sword, my life from the power of the dog! Save me from the mouth of the lion!
And suddenly in the Psalm, there is a profound silence. For a time, no one speaks. When the psalmist continues, he does so having experienced something amazing, something remarkable, something life-saving. You have rescued me, he says, I will tell of your name to my brothers and sisters; in the midst of the congregation I will praise you. You who fear the LORD, praise him! For he did not hide his face from me, but heard when I cried to him. What could fill this writer, who only a few lines before was begging for the merciful salvation of God, with such joy? What is done, but not spoken of in that long pause of silence? As we shake our fists at the sky and shout in righteous rage, “Where were you? What good God could allow such a thing as this? Where were you?” what can God do to turn us from despair to joy?
Psalm 22 offers an opportunity for deeper, more genuine reflection on God’s perceived absence, and apparent presence, in human suffering than any Footprints poem. It is more like the song One Last Breath by Creed, by any measure a modern-day psalm of lament. In it, lyricist Scott Stapp writes:
Please come now I think I'm falling / I'm holding on to all I think is safe
It seems I found the road to nowhere / And I'm trying to escape
I yelled back when I heard thunder / But I'm down to one last breath
And with it let me say
Hold me now / I'm six feet from the edge and I'm thinking
maybe six feet / ain't so far down
I'm looking down now that it's over / Reflecting on all of my mistakes
I thought I found the road to somewhere / Somewhere in His grace
I cried out heaven save me / But I'm down to one last breath
And with it let me say
It seems I found the road to nowhere / And I'm trying to escape
I yelled back when I heard thunder / But I'm down to one last breath
And with it let me say
Hold me now / I'm six feet from the edge and I'm thinking
maybe six feet / ain't so far down
I'm looking down now that it's over / Reflecting on all of my mistakes
I thought I found the road to somewhere / Somewhere in His grace
I cried out heaven save me / But I'm down to one last breath
And with it let me say
Hold me now / I'm six feet from the edge and I'm thinking
maybe six feet / ain't so far down
Sad eyes follow me / But I still believe there's something left for me
So please come stay with me / 'Cause I still believe there's something left for you and me
maybe six feet / ain't so far down
Sad eyes follow me / But I still believe there's something left for me
So please come stay with me / 'Cause I still believe there's something left for you and me
Hold me now / I'm six feet from the edge and I'm thinking
This song, perhaps more than any other I have heard, captures the angst and fear of the Psalmist’s soul in Psalm 22. I yelled back when I heard thunder, I cried out, “Heaven, save me!” But we’re down to one last breath, so with it, let us say, “we still believe.”
The story, often attributed to Elie Wiesel, is told of a group of young Jews who approached some rabbis who were imprisoned with them. “Rabbi,” they said, “are we not God’s chosen people? Did God not promise to protect us and to never leave our presence? Why, then, is this happening?” The Rabbis held a court of law, appointing one rabbi to represent the children of Israel, and another to represent God. God was charged with the crimes of breaking the covenant of protection and of abandoning his chosen people. The trial lasted for some time, and in the end, God was found guilty.
Perplexed, the people asked the rabbis, “What do we do now?”
The rabbis responded, “Now, we pray.”
“Now we pray”—and to whom? The God who remained so silent? The God who seemed so far from helping, so far from the words of their groaning? Like the lyrics of Scott Stapp’s song, the Rabbi's comment gave voice to a similar theology: we’re down to one last breath, and with it, let us say, “hold us now; we still believe.”
And then, in the psalm, there is silence. Have our words fallen on deaf ears? Is God truly so far from the words of our groaning that they are never heard? In Psalm 22, half way through verse 21, something miraculous apparently happens. What is the mysterious response of God in that long pause of silence? What has God done in that silence to turn the psalmist’s suffering into joy, his groaning into shouts of exaltation?
In 2001, my life was assaulted and challenged by external events. I had been a pastor for all of two weeks (and not even ordained yet) when, on September 11, the United States was attacked by Al Qaeda terrorists, killing three thousand Americans in Manhattan, Washington, DC, and Pennsylvania. I happened to be serving as an associate pastor in a bedroom community for Manhattan, and there was a great deal of near-panic as the pastoral staff worked to track down congregation members. Luckily, no members of our congregation were killed.
Incidentally, I was married just four days later, on September 15th. In January of 2002, my father-in-law, William Ryan Spence, who was a 52-year-old Marine reservist, who had been trained to fly helicopters during his years of active service, and who had parlayed those skills into his dream job as an medical emergency helicopter pilot, died in a sudden, accidental crash as he lifted off the roof of a Cleveland hospital, en route to a rescue, and his helicopter crashed on the front lawn.
It was two months after his funeral, at the end of March, that I was preparing for what was only my second sermon since being ordained: a sermon for Good Friday. The lectionary text was Psalm 22.
Preparing for this sermon, I reflected upon how shattered I felt. Three thousand Americans had been mass-murdered and our nation was living in a fear it hadn’t known in generations. Members of my congregation, especially its young people, were turning to me for theological insight in the face of this atrocity. On the heels of this, my own father-in-law died heroically but unnecessarily, and I found myself forced to wrestle with my own grief as well as that of Diane and her family. Reading this psalm, being asked to preach on it, in the context of so much pain, suffering and perceived God-forsakenness seemed like an impossible task. And yet, as I prepared for the sermon, this text ministered to me; the prayer of the psalmist became my own prayer. I was given permission by the author to ask hard questions from a position of faith, rather than doubt.
So I asked myself, what happened in the middle of verse 21? What happened that caused the psalmist to turn from lament to thanksgiving? Something transformational took place in that break, and when it occurred to me that the “break” was the lynch pin upon which the message of the entire psalm turned, I found myself asking, “What was Jesus telling the crowd of onlookers by invoking this psalm on the cross?”
Commentator James Mays suggests that by quoting Psalm 22, Jesus “joins the multitudinous company of the afflicted and becomes one with them in their suffering. In praying as they do, he expounds his total identification with them.”
God entered our suffering, knew the heartache and pain, the sorrow and apprehension, and anguish and fear of human existence, and died. Finally, God understood and experienced God’s own curse on humanity, “out of the ground you were taken; you are dust, and to dust you shall return.” In the long silence of Psalm 22, in the break in the story, in the void where the mystery of God’s action took place, God spoke God’s Word. “And the Word became flesh and dwelt among us.” God took the curse which God had uttered against humanity in Genesis, and experienced it for Godself.
In the death of Jesus on the cross, God died our death; God experienced and reversed the curse of human existence, so that we might live life more abundantly in the certain knowledge that God knows us, knows the human condition completely. Only after being equipped with this knowledge could God conquer the curse of death, defeat the wages of sin. To know death and defeat it, God had to die.
And so, brothers and sisters, like the Psalmist, whose cries of anguish were heard by God, we, too, must tell of God’s name to others. We, too, must praise God in the midst of the people, for God did not hide his face from us; he heard us when we cried out. Like the psalmist, we must vow to share our stories of anguish, of turning to God in our despair. And we must tell of God’s response to our groaning in the ministry of Jesus Christ, who took our curse and died in our place. The great mystery of Psalm 22 is the great mystery of faith: Christ has died, Christ is risen, Christ will come again. The great gift of a lament psalm like Psalm 22 is one in which the words of the psalmist become our words, and are answered by God in Jesus’ saying in response, “Me, too.”
